#too many languages

[choochooboss]

Kalosian Emmet ideas are very entertaining rn, keep them coming ahah!!

[soracities]

anyone else have a word they absolutely cannot spell as in no matter how many times you read or write this particular random word your brain just absoltuely will NOT play ball for me its "genius" and "parallel"

[local-falsettos-obsession]

Erik is the kinda guy that just forgets a word in English occasionally because he knows so many damn languages but yet he also pronounces really hard English words perfectly . “I picked up a new… Ah, what’s the word…Teppich? tapis? alfombra?” And Charles is just like “How tf do you not remember the word carpet but remember how to pronounce Worcestershire perfectly? 😭😭😭”

[still-bejeweled-and-shining]

I think I want to learn Japanese so I can play A3! again, since the English server was shut down a while ago. That’s basically my main motive. Is it worth it? Should I try?

I’m also learning Swedish, and I’d like to keep up with French. My English level is good enough for now (B1/B2). In my highschool, I’m also studying Latin (for the first time this year) andI also want to learn a little bit of Irish (and mayyybe a little bit of Korean, who knows). But hey,,,,,,,,,, I really want to play A3! again 😭😭😭 maybe too many languages? where should I stop?

[flickering-nightfall]

Experiments with pupils and mouths that devolved into shenanigans :)

[abstractfrog]

that doesn't sound right but i don't know enough about receiving valentines to dispute it

[genericpuff]

For the sake of comedy, I redrew this iconic S1 panel in the S3 style. Better or worse? 💀😆 /s

edit: because i've gotten comments on both this post and the one i shared in the subreddit that seem to misinterpret why i made this, y'all this is meant to be satire, i'm not actually trying to 'outdo' the original panel, it's supposed to look like the S3 art style which looks boring and stiff compared to the original LMAO (I even used S3 panels as the base to work off of when creating this) so yes all the issues with the redrawn version are on purpose, i'm well aware it's not as good as the original and that the anatomy is wack, that just tells me i succeeded because it's p much exactly what S3 of LO looks like JFKDLAJFDASKLJKASLD

[destiel-wings]

Dean Winchester & hug dynamic analysis

I was thinking about how whenever Dean hugs someone he's almost always the one hugging the other and how this links to his psychological trauma of always being the caretaker of people, making himself bigger to protect them.

Because that's how Dean sees himself, as a shield for others, and then I thought about how Cas actually is the shield, and he's HIS SHIELD, specifically, the only one who's really there to protect HIM, which is why it hits so much when we see this:

The way Cas wraps his arms around him, trying to protect him with his whole body--that he'd use as a shield and give up in a second if he could spare him from any pain and save him.

(for context: Dean was about to go use the soul bomb on Amara there, it was a suicide mission)

Bobby is another one that hits, he hugs him as the big hugger because he's his father, he loves him and he's actually here to protect him (and Dean LETS him -barely, but he lets him *and Cas* - in a way that he doesn't let Sam)

I watched a compilation of Sam & Dean hugs to check if i was right about it, but it's almost always Dean the big hugger with Sam, except when he's about to die or Sam sees him alive again after losing him.

Even then, Dean mostly tries to hug Sam as the big hugger anyway, with at least one arm, like a way to comfort him, making him feel protected, like his body language is saying "I'm here, I'm okay, I'm still strong, i can still protect you" (because their real father failed and Dean thinks it's his job).

He rarely lets himself be the little one hugged with Sam, unless he's barely conscious. Which is why it kills me so much more now that in this moment (s14, when Dean was going to lock himself in the Ma'lak box cause he was possessed by Michael) and Sam has a desperate breakdown and punches him (to stop him) he forcefully hugs him as the little hugger, the way Dean always kept him, like a way of saying "I still need you to protect me, please don't do this to yourself".

In the scene below he gives Sam his blessing to do a dangerous (possibly suicidal) mission, and one of his arms is down, but the other one tries to stay up--he's forcing himself to do it and he struggles because he still wants to protect him, but (as the seasons progress) he slowly becomes more prone to let go.

So in this view the hug dynamic becomes an indicator of how Dean sees Sam (and himself) and his protector role, how adult and self sufficient he considers Sam, and how much he lets people around him take care of him, lowering his walls and letting himself be hugged.

This is also why i think hugs from characters like Garth or Charlie are so special, because they're just like us: they see Dean and they just know that he needs to be hugged a lot, and that he's not used to it, so they just go for it-- and it's so normal and kind and spontaneous that Dean's just not used to it-- he doesn't know how to respond (especially with Garth, at the beginning, but as the seasons progress, he learns to, and he even initiates the hug eventually).

I love the hugs where they're 50/50 (one arm up, one arm down both), feels like they're equals, both taking care of each other. I feel like with Sam and Dean, this indicates a healthier dynamic, because Dean lets go a little of the role that was imposed to him and manages to see Sam as the strong individual that he is. But the same applies to 50/50 hugs with other characters, like with Cas, where I feel like it testifies how equals they feel in terms of being fighters, there's a show of respect of each other's strength that transpires by the gesture (which is even more astounding considering that Cas is literally a powerful angel).

And just to end on a destiel note, I'd like to note the possessiveness and protectiveness of Dean (rightfully so) whenever he finds Cas after he thought he had lost him, and how that translates into his body/hug language:

[starcurtain]

Hey! I apologize if this question has been asked before since it seems like a pretty obvious one, but where do you think the idea of Aventurine being a sex slave came from? Other than the obvious factor of it being something fun for the fandom to mess around with, I mean.

It's something I kind of took for granted as being true before playing his quest, but after finishing it I realized there wasn't really any indication. The only thing I can really think of is his master's comments about him having a good body. Is there anything in his behavior you can think of that would lead to this conclusion if it wasn't a popular fan interpretation already/kind of just an easy conclusion to reach with a slave character?

(also kind of related but what do you think of the idea that he sleeps around/with his clients to make deals? he's obviously willing to sexualize himself with the boob window, but that doesn't necessarily mean he goes further.)

As far as I can tell, the idea that Aventurine was involved in sexual slavery comes from three (maybe four) places:

First, the comment from the master about Aventurine's appearance. People were holding this comment up as refutable proof that Aventurine was used in sexual slavery on top of being tossed into the Hunger Games; however, the response from other players on this interpretation, especially the Chinese side of the fandom, was very mixed, with a lot of people pointing out that the context in the game probably meant the slave master was talking about Aventurine's ability to attract attention from fans watching the literal Sigonian Hunger Games, rather than having a direct sexual-slavery connotation.

Second, the comment from Sparkle about stripping naked and getting on his knees for Sunday. This one has way more implication in English than I think it might for an Eastern audience, actually. In English, this pretty much sounds like Sparkle saying Aventurine trades sexual favors for success in his gambles. However, I suspect the original intention in Chinese was more about humiliation. Western audiences don't have as much history with honor-based prostration, i.e. accepting corporal humiliation as a form of reconciliation that Eastern audiences might be more familiar with. And in any case, Sparkle is Sparkle. She probably just went for the lowest blow she could think of here.

Third, the general assumption that if Sigonian slaves were being chained, branded, beaten, sent to death matches, etc., it seems logical that they would also be taken advantage of in other ways. I honestly think this is probably the fairest take--many, many real slaves around the world faced (and still face!) sexual abuse, so if slaves from Sigonia were treated so poorly you could make them fight to the death for entertainment, it stands to reason they were probably also not safe from other forms of assault. We also have no idea what happened to Kakavasha in any of the years between his being a tiny child fleeing the massacre and then being purchased as a slave as a late-teens-early-twenties person. That's a very long time for a child to have to survive on their own on an extremely hostile planet and not face risks of all kinds or end up needing to do unspeakable things to survive. So I think this is at least not that far-fetched, although it's important to say there's nothing in the game that directly confirms this.

And fourth: I read a tweet semi-recently that stated that one of the Chinese (or maybe it was Japanese) names for a quest Aventurine was involved in was actually a reference to a book about a teenage sexual assault survivor. However, when I tried to verify this myself, I couldn't find any quest Aventurine was in that was based on a book about sexual assault in either English, Chinese, or Japanese. It's possible I just missed something, but I'm taking this one with a bit of a grain of salt currently, since I can't confirm it personally.

Regarding your other question, about whether I think Aventurine sleeps around to make deals...

I definitely think he does not, for one major reason.

First, I will admit that Aventurine is definitely willing to use his appearance to his advantage. This is pretty obvious. He wears incredibly flashy clothes, baths himself in cologne, overloads on glittering golden jewels, and absolutely calls attention to his appearance when working with clients.

We see him actively doing this in his Moment Among the Stars video, where he is clearly using his looks as an equal tool (to his wealth), to daze his target.

It's not an accident that he says things like "Use me as you wish," with all the explicit connotations preserved. The implication is there. However, unless he was absolutely backed into a corner, I think that implication is all it will ever be.

The reason I think this is that the devs go out of their way to give Aventurine three fairly noticeable physical behaviors in his in-game scenes:

For one, he has some of the most closed off body language of any character in the game.

Aventurine's default conversation pose is arms crossed directly and tightly in front of himself. This is like "Defensive Body Language 101." By crossing your arms, you put a symbolic barrier between yourself and the person you're speaking to, and also ensure that your hands are up and available in case you actually need to physically defend yourself.

Virtually all of Aventurine's conversations take place from this stance, no matter who he is speaking to (from the Trailblazer all the way to Topaz). He deliberately closes his pose off and tightens up his silhouette, which just sends a glaring "Don't touch me" message.

This closing off is also blatantly apparent when you compare it to the deliberately open poses he strikes while trying to make himself seem accessible to others (like tempting clients) or seem powerful (to intimidate):

Complementing this habit of closing himself off is a second noticeable aspect of his body language: He frequently avoids eye contact to the point that he even holds conversations while entirely facing away from the person he's speaking to.

I might be a bit lenient and say maybe he's doing this to on purpose to be mysterious, whoo~~ But... in all honestly, he just does this with everyone, even with Ratio while trying to talk about an actual important issue (wanting to look into Acheron's real identity). Hell, even the fake Aventurine does it to himself!

We can even say that wearing the rose-tinted glasses in the first place is another intentional barrier, one Aventurine deliberately removes in specific moments to give people the (false) impression that he's "letting them in" to his circle:

Now, this might be a bit more complicated in Aventurine's case, because eye contact has a whole extra meaning when eyes are the defining trait of your species and come with particularly challenging racial stereotypes. So it may be that Aventurine is simply used to conducting conversation while looking away to minimize racial prejudice against his eyes' unique appearance.

However, I'd also argue that the devs deliberately turned his entire model away in cutscene after cutscene to create a clear sense of being inaccessible, unapproachable, and unwilling to engage in the physical intimacy of standing closely, directly facing, and staring at his conversation partners.

While he faces away, he controls both the figurative and the literal direction of conversation, forcing people to keep their eyes on him while he is free to move as he pleases. Over and over again, it just says "I want to be the one in control. I'm not afraid to show my back to you, but you are not welcome to come near me."

And, in fact, that's a third aspect of his character's body language that I am sure the devs did not include accidentally: More so than other characters, many of Aventurine's conversations are conducted from weirdly far distances. Like, half the time he's talking, he's standing all the way on the opposite side of the room!

This habit of speaking from a-larger-than-normal distance is apparent in the first scene with Himeko...

And then in just about every other conversation too:

The bubble is twenty feet in every direction.

Like yes, he does approach and have conversations like a normal person... sometimes... But it is significantly more noticeable with Aventurine than with other characters that he often conducts whole conversations--even with his allies--from a distance. Just genuinely weirdly far apart.

Leaving space for Gaiathra, I guess.

And it's because these significant decisions were made with Aventurine's in-game body language that, when he deliberately alters his own behavior, it is instantaneously noticeable.

In 2.0, he closes the distance, the glasses come off, and he gets directly up in the Trailblazer's face.

It's uncomfortable not just because the player is suddenly being loomed over, but because this behavior has already been subconsciously established for the player as out of character for Aventurine.

The barriers the character himself was putting up are deliberately stripped away so that he can use physicality and demanding eye contact to intimidate his target. He has to reverse his own normal body language in order to come across as domineering (and, I guess if you're into that, appealing in a domineering manner).

And ummmm, just a tiny aside here because I can't resist:

This does mean that when the game goes out of its way to demonstrate Aventurine altering his own normal habit of distant and defensive body language, it is absolutely intentional.

Yes, this is a Ratiorine post in disguise. There literally isn't any other character in the game that Aventurine is shown being comfortable standing so close to and interacting with in this manner. This doesn't occur in every one of their scenes, but Ratio is the only character that this happens with repeatedly. It's not an accident that the devs literally added "They were walking side-by-side" as flavor text.

But look, I'll be fair: There's a great example of this in Aventurine's scene with Acheron too, where he closes the distance and attempts to make eye contact with her--seeking her guidance and closeness--and she is actually the one stepping away, speaking with her back turned, demonstrating her power and control (and issues with connection!) in that scene.

Anyway, this was a whole longggg tangent into analyzing Aventurine's body language, but my point is that, overall, the devs deliberately adjusted his model's actions in-game to give the impression of a person who clearly wants to be in control of every interaction he has with other people, who insists on distance over intimacy, and whose stances and habits suggest that he is significantly less accessible and open than his "Use me as you wish" motto might suggest.

Long story longer, I think that there is almost zero chance Aventurine is willingly ceding control over himself or the actions expected of him to anyone he isn't 100% comfortable with, and I think that using physical intimacy of any kind would be an absolute last resort for him. Frankly, he comes across as more likely to shoot himself in the foot than let someone he doesn't trust lay hands on him.

To me, he reads very much as "You may look, but you may not touch."

[darkmuffinstudios]

So I had a prolific idea

anyways here's the first few paragraphs out of a 7-page writing dump I did on a google doc <3

[saints-who-never-existed]

So we all know that Blanky is cool and badass as fuck. That goes without saying. There's a sense, right from the get-go really, that he pretty much always knows what to do in any given situation.

Blanky knows when humour will lift a mood, and when seriousness is required. He knows when to give grace and kindness, and when to dole out much-needed tough-love.

I think it always worth repeating, though, that none of that would be possible without an extremely high degree of empathy and emotional intelligence. To me, that's Blanky's real greatest strength. It's the root of what makes him so cool and badass as fuck so I want to ramble more about some examples of it.

-

In Episode Two, for instance, we have his nighttime conversation with Crozier where Blanky matches the captain's energy beat for beat.

He laughs with him first about the erstwhile reindeer and while he remains optimistic throughout the rest of the scene, he's also honest, both acknowledging Crozier's various fears and drilling down to the root of them immediately - "Aye. You trusted Ross and you trusted Parry."

When Crozier remarks on his perceptiveness, Blanky's incredibly tactful and kind too - a casual "No, it's just that I know you." when in reality Crozier's been doing a horseshit job of concealing his thoughts and they're visible from fuckin' space.

-

In the following episode, I think the response Blanky gives to Little's fearful teatime diatribe is great.

In contrast to Crozier's vague and even condescending reply which only seems to rile him up further, Blanky shuts Little down clearly and firmly but without being unkind. I think a simple, factual response was the right tactic for the lawful-good sort of guy Little is.

I think his accurate judgement of Little's character is further confirmed later in the episode vis a vis the clandestine rescue party. He's right when he says "Lieutenant Little will never agree to it."

-

Another example that's very special to me personally is in Episode Five and it's not Blanky delivering his warning after Crozier punches Fitzjames, or even when he lightens the mood with jokes and toasts before having his own fuckin' leg sawn off (although I could talk about those forever).

It's actually a wee almost throwaway line Blanky utters to McDonald right before he heads up on deck:

"He's ill with it now..."

Crozier's behaved abhorrently to everyone around him up until that point. He's been vicious and manipulative, cruel and thoughtless. Threatening to throw Silna out into the elements and actually following through with Blanky, ordering him out into weather he knows full well is so cold that it literally just killed a man.

It would be so easy for Blanky to decide that that was final straw, that he was done with Crozier's bullshit. But no! Even then, even then, Blanky seems to be able to take a step back to some degree. To recognise Crozier's alcoholism for what it is - a debilitating illness and not some great moral failing.

It used to confuse me to some degree why Blanky would greet Crozier so warmly at Carnivale (other than the fact that the absolute mad-lad is drunk off his ass). Like, that's the man who made the decision that lead to you nearly dying and losing a limb - how can you just hug him as if none of that happened? But the more I thought about that earlier line, the more clearly it spoke of the incredible depth of understanding and feeling Blanky has for Crozier and the more beautiful that relationship became. He can forgive him so quickly because he can see so clearly the true person under the difficult surface.

-

We talk so much about Blanky remaining outside of the horror story the rest of the characters come to inhabit, refusing to dignify it with his presence. And, again, I just think an important part of the reason he's able to do so is that he sees the world around him and the people within in it for exactly what it is and for exactly who they are. It's just a lot harder to jump-scare a man who sees the mask you're wearing from a mile away, and understands precisely why you've donned it.

[buttdumplin]

I only know Mexican Spanish, so I can only speak for myself and those I grew up with but "mami" and "papi" are not the equivalent of mommy/daddy as used in sexual or intimate relations.

We use mami and papi with our kids. It's what our tíos and tías call us that affectionately. It's what the lady from the corner store calls us when she's sweet on us and can't quite remember our names. It's what our grandparents call us as they fix up a scraped knee. And they bring out papito/mamita when we're either in deep shit, or in need of comfort that can only come from someone with more knowledge, power, or experience than us. It's a diminutive term of endearment.

I'm not saying it's never used as mommy/daddy, but it's hardly ever a title. The context of it is so wildly different, because it's usually what we call someone we're responsible for.

"Mamas" tho? Mamas can fuck.

[neeeeeoposts]

eene dump 😕

(other than the redraws, these r my personal headcanons pls dont hate me😭😭😭)

[virgothozul]

Jsdcbbccbhcb !! Merci !! tant de personnes ont réagi au précédent post en français ahahahah 🤣 c’est incroyable ! je ne m’attendais pas à tant de réactions merci merci ! Thank you everyone for the attention on my last post !!!

This is when Miles drops at the police station like a prince, a whole year later, nonchalant about his hiatus. And Phoenix is most likely losing his 💩 3 feet away.

[rebouks]

Previous // Next

Byrd: Dad? Oscar: Morning, bud.. miserable day, huh? I’m not looking forward to packing up in the rain. Oscar: Did you sleep okay? Byrd: Erm… Oscar: GO GET YOUR HEARING AIDS! [Byrd fidgeted guilty, implying that he’d lost yet another pair] Byrd: [sobs] Why do I have to be deaf without them, papa-.. s’not fair. [Oscar held Byrd tightly, stroking his back until his sobs subsided somewhat] Oscar: LET’S SEE WHAT WE CAN DO… [Oscar plonked Byrd outside as he rummaged through his bags, eventually producing a backup pair of hearing aids] Oscar: Better? [Byrd nodded gratefully, burying his snotty nose in his father’s hair as he threw his arms around him] Oscar: Maybe you ought to think twice about learning SSL. Byrd: What’s the point? No one else knows it. Oscar: Robin does, and we all know bits n’ pieces, don’t we? [Byrd grumbled disinterestedly] Oscar: I think it’s long overdue, pal-.. what if we all learn it together? Properly this time. Byrd: I guess… Oscar: All I heard was yes. Byrd: Are you deaf too? Oscar: [snorts] C’mon, we’ll probably find the other pairs as we clear up. Wren: Daaaaad, it’s raining! Oscar: The faster we get goin’, the faster we’ll be in the car-.. I bet Wren can pack up faster than you. Byrd: [gasps] NO WAY! [rain pattering]